© Anderwald + Grond
– Bernoulligymnasium, Vienna. November 12, 2015
– Akademisches Gymnasium, Graz. February 2, 2016
The understanding of the specifics of the artistic work process is still incomplete. Philosophers like Maurice Merleau-Ponty (on Paul Cézanne) or Gilles Deleuze (on Francis Bacon in 'The Logic of Sensation') have ventured into that realm. This competition is an attempt by a team of artists and scientists whom together are trying to come to a more profound and holistic understanding of the artistic process and its needs.
Lecture by Mathias Benedek at ‘Navigating the Unknown – Fears and Pleasures of Dizziness‘.
Choreography is a coward’s excuse for control. Choreography is a futile attempt at seizing power.
'Utrata równowagi' at Ujazdowski Castle, Centre for Contemporary Art is the follow-up exhibition of 'Dizziness. Navigating the Unknown' at Kunsthaus Graz and allows visitors to immerse themselves in the experience and reflections on dizziness.
Collaborative and socially engaged practices are central to contemporary artists. Understanding their work not just as discrete practices of visual expression, but as a form of world building, artists engage with culture writ large, within places, circumstances, and communities they live in.
The senses work together in multifaceted and even dissonant ways. However, recognition of this multiplicity has been stymied by the emphasis on the “pre-reflective unity” of the senses within the phenomenology of perception and the focus on harmonious integration within cognitive neuroscience.
