2015 © Anderwald + Grond
Reenactment in Istanbul of Mieko Shiomi's work event for the late afternoon performed in Okayama, Japan, 1964. (http://www.moma.org)
Photos of 'Navigating the Unknown – Fears and Pleasures of Dizziness' at CCA-Tel Aviv
Indeed, dizziness is more than feeling dizzy. Contributions by artists, researchers from experimental sciences as well as cultural studies, and philosophers trace dizziness not only as a phenomenon of physiological, emotional, and cognitive processes but highlight the transversal nature of the phenomenon.
When dizzy we cannot distinguish between inside and outside.
In the experiencing subject, dizziness emerges as an experiential, as well as a differential category, and shows affinities to the perception of atmospheres.
Can dizziness be a resource? What remains from states of precariousness, uncertainty, disorientation, intoxication or exhilaration? Particularly now, in these times of invocations of global crisis, these questions are more relevant than ever. The exhibition ‘Dizziness. Navigating the Unknown’ locates dizziness in artistic creativity, finding it in situations of unbalance, confusion, disorientation
The Institute for Medical & Health Humanities and Artistic Research organizes events online and at different locations for the exchange about current projects and initiatives. It wants to contribute to the further development of the discourses in the field of the Medical & Health Humanities, but focus in particular on the manifold connections between the Medical & Health Humanities and artistic research.
