



(Without Words) Stone Fruits and Ghosts, 2014 © Anderwald + Grond
Excerpt of the concert Instruction for Use at Musikfestival Rottweil, Germany.
– See also Instruction for Use.
‘Dizziness’ implies notions of physical and emotional disequilibrium, staggering, confusion, uncertainty, and turmoil. This article discusses dizziness as a possible resource for creativity including the concept of the ‘compossible space’.

Vertigo in the City brings together an eclectic mix of scholars, clinicians, practitioners and artists to share perspectives on vertigo. The multidisciplinary conversations explore how sensations of dizziness and disorientation are diagnosed, analysed, evoked, induced, critiqued and represented, with a particular focus on the built environment.

We differentiated the word sense into three transversal fields to define dizziness: sensory input (stands for the corporeal aspect of dizziness), emotion (the emotional spectrum of dizziness), and meaning. Along these three transversal fields of sense, we will discuss the phenomenon and concept of dizziness, bringing together different disciplinary viewpoints and connections to verticality.
