When behaving as waves, [particles] can simultaneously pass through several openings in a barrier and then meet again at the other side of the barrier. This "meeting" is known as interference. Strange as it may sound, interference can only occur when no one is watching.
The understanding of the specifics of the artistic work process is still incomplete. Philosophers like Maurice Merleau-Ponty (on Paul Cézanne) or Gilles Deleuze (on Francis Bacon in 'The Logic of Sensation') have ventured into that realm. This competition is an attempt by a team of artists and scientists whom together are trying to come to a more profound and holistic understanding of the artistic process and its needs.
Can dizziness be a resource? What remains after unsettledness and disorientation? And how can we see communities find their balance in uncertain situations? Particularly now, in times of ubiquitous invocations of global crisis, these questions of collective balancing and balancing collectives are more relevant than ever.
Museums have undergone significant changes in the last decades as many have shifted their focus from institutions representing the past to functioning as platforms for transformation and as sites for civic engagement.