2015 © Karoline Feyertag
Performance by Charlotte Hug at Navigating in the Unknown, Monday 11 May, 2015.
If one notes the amount of staggering performed or stammered by characters in Waiting for Godot, it can be quite surprising. In fact, few plays contain characters that spend as much time stumbling or tottering about the stage. It is almost as if they are sailors in the midst of a violent squall, but this is not the case.
"I saw the Statue of Liberty, and — this is weird — I saw it, and I just had it”, he said. He swiftly decided that he wanted to “spin around this thing."
Photos of 'Navigating the Unknown – Fears and Pleasures of Dizziness' at CCA-Tel Aviv
The FORUM 20:17 wants to bring up the social and cultural change of the global societies and the associated need for orientation of young people in the new form of a future laboratory as well as the associated need for shaping open and associative youth work.
Extending to 'Dizziness. Navigating the Unknown' at Kunsthaus Graz, the 'Diagonale' festival shows a programme of Austrian and international short films.
“As agents of confusion you precede the agents of change”, claims the hermaphrodite being ‘Dizziness’ in Ruth Anderwald + Leonhard Grond’s film.
