Catherine Yass talks about the dizzying aspects of her film Lighthouse.
– See also Catherine Yass, HASENHERZ.– See also Lighthouse.
The project for Haus der Geschichte Österreich (House of Austrian History) encompasses a photo series and a series of videos. Following the construction process for the new museums’ space in the historical backdrop of Neue Burg, the former Emperor’s quarters.
If one notes the amount of staggering performed or stammered by characters in Waiting for Godot, it can be quite surprising. In fact, few plays contain characters that spend as much time stumbling or tottering about the stage. It is almost as if they are sailors in the midst of a violent squall, but this is not the case.
The initial idea to make a portrait of Charles Blondin, the famed tightrope walker and ropedancer of the 19th century, developed into a reflection of and fascination of the abyss and the abyssal.
Ruth Anderwald + Leonhard Grond take Dizziness–A Resource to the classroom.
Can dizziness be a resource? What remains from states of precariousness, uncertainty, disorientation, intoxication or exhilaration? Particularly now, in these times of invocations of global crisis, these questions are more relevant than ever. The exhibition ‘Dizziness. Navigating the Unknown’ locates dizziness in artistic creativity, finding it in situations of unbalance, confusion, disorientation
What is creativity? Which myths are associated with it? This workshop seeks to to shed light on the topic from the viewpoints of art, philosophy and neuroscience.
