Catherine Yass talks about the dizzying aspects of her film Lighthouse.
– See also Catherine Yass, HASENHERZ.– See also Lighthouse.
The thing with a project about confusion is that it can never really be right on track. Being committed to the premise means knowing that occasionally losing the thread is an integral part of the whole thing.
"I saw the Statue of Liberty, and — this is weird — I saw it, and I just had it”, he said. He swiftly decided that he wanted to “spin around this thing."
Two entangled particles are linked in such a way that the state of one of them determines the state of the other. Have you ever heard how identical twins say they can tell when the other one has been hurt? I’ve no idea how true this is for humans but with particles, that’s kind of what entanglement is like.
Can dizziness be a resource? What remains after unsettledness and disorientation? And how can we see communities find their balance in uncertain situations? Particularly now, in times of ubiquitous invocations of global crisis, these questions of collective balancing and balancing collectives are more relevant than ever.
An alternative city walk - unexpected situations expected!
Can dizziness be a resource? What remains from states of precariousness, uncertainty, disorientation, intoxication or exhilaration? Particularly now, in these times of invocations of global crisis, these questions are more relevant than ever. The exhibition ‘Dizziness. Navigating the Unknown’ locates dizziness in artistic creativity, finding it in situations of unbalance, confusion, disorientation
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