2016 © Anderwald + Grond
Flag: 300 × 200 cm, colour, digital print on Multiflag® SE, glozzy, 110 g/m²Edition: 3 + 2 AP, 2.000 €
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Keeping our bodily balance is a continuous performance, including the effort to keep the erect posture against gravity. However, since this performance remains strictly subliminal we become aware of the state of equilibrium only in the event of disruption: in the very moment we loose our balance, stumble and fall, or more generally, when the relation between the body and the surrounding world is irritated, disturbed, or interrupted as it is characteristic in the state of vertigo.
The theory of the compossible space is set into action in the artistic practice ‘HASENHERZ or the Pleasures of the Moving Image and Word’. ‘HASENHERZ’ is both a work of art and an instrument for examining artworks.
This is a podcast as an artistic research endeavour – a piece of PodArt – that will get your head spinning, proposing artworks alongside conversations.
Filmmaking has developed epistemological practices of its own, which do not align seamlessly with current notions of artistic research.
This book launch will feature Ruth Anderwald + Leonhard Grond, who will introduce the book and their eponymous artistic research project, and Sergio Edelsztein, collaborator of the artistic research 'Dizziness – A Resource'. In 2016 he co-hosted a three-day event at the CCA, where Maya M. Shmailov participated with a lecture.
The senses work together in multifaceted and even dissonant ways. However, recognition of this multiplicity has been stymied by the emphasis on the “pre-reflective unity” of the senses within the phenomenology of perception and the focus on harmonious integration within cognitive neuroscience.
