Indeed, dizziness is more than feeling dizzy. Contributions by artists, researchers from experimental sciences as well as cultural studies, and philosophers trace dizziness not only as a phenomenon of physiological, emotional, and cognitive processes but highlight the transversal nature of the phenomenon.
With psychoanalysis, we should listen to dizziness: to find rhythms and tempos of the unconscious. Other senses in the nonsense. Triggering — dizziness allows talking; and a change in perspective, if heard. Colliding, conflicting trajectories in intense multiplicity could lead to the shape-shifting of lives, and institutions. What can be heard in Yukio Mishima’s and Gustav von Aschenbach’s dizziness?