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Observation 2
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Observation 2
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FWF-PEEK AR-224
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Date of Publishing:
October 20, 2014

Observation 2

Footnotes
Literature

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Essay
Jo O'Brien

Hard to Make Out

The thing with a project about confusion is that it can never really be right on track. Being committed to the premise means knowing that occasionally losing the thread is an integral part of the whole thing.

A few trees barely emerge from a blue-grey, foggy haze.
Document

Podcast: On Certain Groundlessness

Ruth Anderwald, Leonhard Grond, Sergio Edelsztein, Jeanne Drach and Laura Brechmann create a series of podcasts that is at the same time a sound sculpture. In this way, the work can be perceived individually and portably and as an audience in a specific setting. 

Essay
Karoline Feyertag

Dizziness in Compossible Spaces

How did we succeed to make dizziness a sort of commonplace? After several cross-disciplinary gatherings in the course of the research project ‘Dizziness–A Resource’, it became clear that the introduction of the concept of dizziness into divergent research fields created a compossible space, formed by our common interest in the experience of and reflection on dizziness.

IMG_6053|IMG_5591|the-exterritory-project|IMG_5988|IMG_6029|IMG_9602

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Horizon in Motion

21 Aug 2016, 13:00

The photo installation “Horizon in Motion” by Anderwald + Grond on the glass façade of the CCA, Congress Centre Alpbach plays with the figur of Atlas.

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Dizziness — Navigating the Unknown

9 Feb 17 - 28 May 17

Can dizziness be a resource? What remains from states of precariousness, uncertainty, disorientation, intoxication or exhilaration? Particularly now, in these times of invocations of global crisis, these questions are more relevant than ever. The exhibition ‘Dizziness. Navigating the Unknown’ locates dizziness in artistic creativity, finding it in situations of unbalance, confusion, disorientation

kunsthaus_graz|taumel_sujet|trevor_paglen

Taumel – The Pleasures and the Fears of Being Dizzy

11 Jan - 14 Jan 2015

The workshop will shed new light on disorientation and on how film artists throughout history use (optical) disorientation and confusion as a paradigm in their work. What can be gained by losing one’s grip, by simply letting go? What pictures arise with dizziness?

telaviv|vivian