The Main Award is inclusion of the artwork in an international group exhibition at Kunsthaus Graz.
Why have we always been thinking in “straight lines” when Lucretius had already observed the swerve as a permanent change of motion?
Sluice chamber or a “space in between” (where things become compossible and ambiguous). It’s an “interzone”.
Five arts-based research projcets taking place at the Academy of Fine Arts Vienna will be presented and discussed. Kerstin Mey from University of Westminster and member of the Austria Science Board will give the keynote at the end of the day.
Can dizziness be a resource? What remains from states of precariousness, uncertainty, disorientation, intoxication or exhilaration? Particularly now, in these times of invocations of global crisis, these questions are more relevant than ever. The exhibition ‘Dizziness. Navigating the Unknown’ locates dizziness in artistic creativity, finding it in situations of unbalance, confusion, disorientation
The contribution of Ruth Anderwald + Leonhard Grond to the cross-genre project “Instruction for Use” shows first visual findings of their occupation with dizziness/Taumel.