© Helmut Prochart
Oliver Hangl feat. Barbis Ruder
Photo documentation by Helmut Prochart
U-Jazdowski Castle: Octber 5, 2017
Oliver Hangl feat. Edyta Jarzab
© Ujazdowski Castle Centre for Contemporary Art
Every day I do things that I normally do. Every second day I do things that I do not normally do. Then there are these periods in life where I sink into another state of being, a place where well-trodden ground can suddenly trigger incomprehensible responses.
‘Dizziness’ implies notions of physical and emotional disequilibrium, staggering, confusion, uncertainty, and turmoil. This article discusses dizziness as a possible resource for creativity including the concept of the ‘compossible space’.
For my graduation work at Ruhr-University Bochum I try to visualize how an invisible, chaotic and disturbing phenomenon like dizziness may become visible for an audience.
Vertigo in the City brings together an eclectic mix of scholars, clinicians, practitioners and artists to share perspectives on vertigo. The multidisciplinary conversations explore how sensations of dizziness and disorientation are diagnosed, analysed, evoked, induced, critiqued and represented, with a particular focus on the built environment.
Opposed to the violence of the Plantationocene, the Kola embodies constructive forms of activity and communication and enables the emergence of respectful, equal relationships.
Having grown up in Lesotho (his mother is German, his father South African), Teboho Edkins' films are shaped by a search for borders: between belonging and intrusion, between documenting and fictional storytelling, between film and video art.
