© Helmut Prochart
Oliver Hangl feat. Barbis Ruder
Photo documentation by Helmut Prochart
U-Jazdowski Castle: Octber 5, 2017
Oliver Hangl feat. Edyta Jarzab
© Ujazdowski Castle Centre for Contemporary Art
That we are currently faced with this “other side” situation fits very well with your ideas and parameters. You can reconstruct what we interpret as real into a different reality.
Proceeding seems easier now. And finally, after the bend I will have certainty.
I am following an invitation. Here we start.
We differentiated the word sense into three transversal fields to define dizziness: sensory input (stands for the corporeal aspect of dizziness), emotion (the emotional spectrum of dizziness), and meaning. Along these three transversal fields of sense, we will discuss the phenomenon and concept of dizziness, bringing together different disciplinary viewpoints and connections to verticality.
This workshop will elucidate how dizziness breaks up the given, be it habits, beliefs, preconceptions or patterns, creating space and dynamics between established categories and perceived oppositions. In this sense dizziness provides power and dynamics to restructure, to rethink, to redesign the given.
Filmmaking has developed epistemological practices of its own, which do not align seamlessly with current notions of artistic research.
