2015 © Anderwald + Grond Photo © Alberto Venzago
Poster: 59,4 cm × 84,1 cm, colourEdition: 100, signed, 20 €
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Improvisation for me means to steadily scan my environment with all my senses in order to be able to react. This monitoring was a movement or awareness in as many directions as possible.
The Atlas depicts a short moment of balance.
With psychoanalysis, we should listen to dizziness: to find rhythms and tempos of the unconscious. Other senses in the nonsense. Triggering — dizziness allows talking; and a change in perspective, if heard. Colliding, conflicting trajectories in intense multiplicity could lead to the shape-shifting of lives, and institutions. What can be heard in Yukio Mishima’s and Gustav von Aschenbach’s dizziness?
Can dizziness be a resource? What remains from states of precariousness, uncertainty, disorientation, intoxication or exhilaration? Particularly now, in these times of invocations of global crisis, these questions are more relevant than ever. The exhibition ‘Dizziness. Navigating the Unknown’ locates dizziness in artistic creativity, finding it in situations of unbalance, confusion, disorientation
The series focuses, in feature films and short films or with video and performance, on future concepts beyond apocalyptic catastrophes or technical utopias that develop positive action patterns of social and economic coexistence.
'Utrata równowagi' at Ujazdowski Castle, Centre for Contemporary Art is the follow-up exhibition of 'Dizziness. Navigating the Unknown' at Kunsthaus Graz and allows visitors to immerse themselves in the experience and reflections on dizziness.
