Only since contemporary philosophy could compossibility also mean that opposites, several mutually contradictory worlds or heterogeneous truths, are possible within the same universe and without necessarily entailing separation, distinction or any dichotomy between them.
Every day I do things that I normally do. Every second day I do things that I do not normally do. Then there are these periods in life where I sink into another state of being, a place where well-trodden ground can suddenly trigger incomprehensible responses.
How does an artist live and work in isolation? How can he/she follow up on exhibition commitments? What kind of artistic strategies should be developed in order to maintain a presence and contact with the public in this situation? What would then be the role of the curator, and of the institution in general, in extreme situations where mobility is imperiled?
The process of slipping into dizzying freefall, of sliding into uncertainty, becoming stuck, losing one’s way, giving up are as much actions as occurrences, both active and passive. Dizziness is a midway state at the point where everything and nothing seems possible, where certainty and uncertainty are in superposition, marked by an increasing loss of control.